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The Guillotine - Worst Punishments in the History of Mankind
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&; Century, the scariest monster in the world, science fiction and fantasy world It is a sword, he is right for her! And the Japanese comments drowned! Human beings are changing, and their fears are changing. It is the 22nd century, so what is the modern public afraid of? We draw your attention to the ten most terrifying monsters today. He helped our ancestors survive in prehistoric times. Accidental contact with a fan-shaped tiger in the forest is a good reason to sprint a distance of one kilometer, and a crocodile swimming in a pond is the perfect cue for you to find another swimming place.
At first glance, the image of the fictional monster is composed of the same danger warning signs: large size, unnatural behavior, power and aggressiveness. But meeting a predator in a forest and a zoo is completely different. Monsters on the screen always appear at a safe distance. The distance between him and the audience is self-contradictory: the pure form embodies our fear, which should instinctively make us escape, but the result is helpless and unable to escape the screen.
Our fears are aestheticized. Monsters not only don't scare us, they attract us, and we admire them. They stand at the intersection of two worlds: our world, on a shelf, is habitable and easy to understand, and the other world, we just guess vaguely, and don't have enough power to see there. Provided their zombie apocalypse, although not very solid, but it is scientifically based. The unilateral Cordyceps fungus that causes all the horror in the game does exist. Indeed, in nature, it only affects small insects like ants, after which they begin to follow the orders of the fungus to spread spores.
According to the plot, the mutant Cordyceps can turn people into puppets. Respondents are people in the third stage of fungal infection. Although it has been difficult to call these creatures human. The fungus attacks the victim's brain and controls it. The skin of the infected person was completely mutilated, and his aggressive behavior showed no signs of humanization. Now they are ruthless monsters that can only be killed. They use to navigate the environment. The use of this ability can be recognized by naming the characteristic sound of the monster. In battle, clickers are much stronger than ordinary opponents, so it is recommended to bypass them and kill them secretly. Their unique features have also proven to be a weakness-clickers can be easily tricked by creating artificial noise. The echo effect of living things works within a radius of three meters, so it is not difficult to find them around.
These are monsters based on real natural phenomena, both scary and natural. But basically, these are the same zombies, so they should only be ranked tenth. Nemesis is depicted as a large, clumsy, dense monster, and it always has a cannon in its arsenal-a mini gun or grenade launcher. However, this is not the only weapon of the creature. Before a new battle with the player, the monster will acquire a new set of weapons, such as claws and tentacles. It has the ability to regenerate and can mutate into new forms very quickly. Therefore, it is very difficult to destroy monsters.
The image of a ruthless, cruel creature is contaminated. At the end of the picture, the human character in "The Nemesis" wakes up, showing mercy and compassion through anger and cruelty.
Humans Gandy national federale stand out among our other participants. It evokes not fear, but disgusting feelings. It was created by a crazy doctor who sutured the mouths and anus of several people together. Even among the most stubborn bystanders, this disgusting creature can awaken the vomiting reflex. In addition to feelings of compassion, people can only sympathize with the victims of sadistic experiments. Being both a monster and a victim in a bottle is not a contradiction. It will cause real horror, but it will not be in danger like other monsters. When the audience is trying to understand the phenomenon and understand its elusive appeal, fear will appear. It was shameful to admit even to myself, but there was something in the monster that attracted and kept its gaze. It is not that he scares us, but our obscene curiosity and desire to see these disgusting things. Everyone you want to ask will criticize the film and scold its creator, but this film series somehow continues to bring the box office and has already won the third part.
Psychoanalysis often talks about what we least want to hear. Human is a monster that reveals the monster in each of us. Monsters that are dangerous when you can't see them. If someone looks at them, they will become stone. But this is why no one can figure out their true nature-from the outside, they seem to be just stone statues. These monsters will come to life when the observer is not around. But if several angels look at each other, or one of them sees the reflection in the mirror, the stone will become their eternal trap. In addition to quantum skills, angels have many mysterious powers. They can kill the victim with a kiss, turn a person into dust, or send him over. The latter option is of interest to angels-when the victim beats in time, it releases special energy and feeds on it.
Maybe even too beautiful to climb to a higher position.
The image of giant monsters raging in big cities is nothing new, not even a textbook. King Kong and Godzilla are unlikely to scare anyone today. Yes, their anger is endless. They can crush people like ants and accidentally wave their paws to wash away skyscrapers. But they have a big disadvantage: we understand all of their knowledge. They have been researched, tamed, and even biologically classified. They are not mysterious, so they are predictable and not scary. The wild beast, an irrational element, an incomprehensible force, advances under the banner of blind anger. We don’t know anything about this creature: its origin, its internal structure, and why the monsters in the streets of New York bring inspiration to the world. The bullet of the clover is dust, and the explosion of missiles and bombs is a slight shake of the air. The monster is completely invincible, and the subway tunnel turned out to be the only salvation for the residents of the city. However, even without complete safety measures, small creatures have been jumped out of the monster's body and can reach the most protected place.
The authorities decided to razing the entire city to get rid of the monster, which is similar to a hysterical scream, indicating that it is completely unable to cope with this situation.
Quite naive, it can be traced back to the concept of primitive cannibals. According to this concept, people who eat human flesh will gain energy. Every twenty-three springs, demons will go hunting in order to profit from human flesh and gain power. The limbs of the victim he absorbed replaced his own limbs. It sounds far-fetched and wonderful, but when faced with the monster's regenerative ability in practice, it becomes creepy.
Ugly faces, sly smiles, tattered clothes and fashionable hats create a demon image in cowboy costumes. The creeper cannot be destroyed: he easily replaced any damaged part of the body with a new body, devouring the necessary organs of the victim. Superman's power, razor-sharp teeth and absolute sense of smell make the fatal consequences of encountering monsters almost inevitable. However, the chance of escape is small. The jeep crawler precedes the crawler. If you have heard, it is best to run. 
The monster is a bit old-fashioned, but never out of date. He proved that some tried-and-tested horror film techniques are still valid.
In this movie, not only the image of the monster is eye-catching, but also its deliberate biology. In Ridley Scott, aliens use the human body to reproduce their offspring.
Creatures in the Dead Space series games usually have the same parasitic behavior. However, the creators did not blindly copy these ideas, but created their own original concept of external infection. The undead form is parasitic on the corpses of other creatures. They also used them as a permanent habitat, and as a result the dead were covered by malignant tumors. The captured dead creatures are only vaguely similar to the living primitive creatures. In most cases, necrotic bacteria look like amorphous masses of biomass with many growths and antennae.

There are many types of necrosis, but they all have one thing in common: unstoppable aggression against all living things. This is understandable, because only dead organisms can make them exist. What lies before us is a rare situation: completely different from zombies. The dead space destroys our associative array, so it radiates from the necrotic form and has some illogical, unnatural and unbearable terrible characteristics.
One of the best monster creators in the movie. Even the occasional monsters in his paintings are unforgettable. And his best creation is a monster with palms and eyes. On the Internet, many people call him-but in the script, he is called the "pale man".
From her, the monster developed the habit of eating little fairies alive. Second, the director was influenced by the Japanese mythology-a blind man killed by a robber. After death, the spirit of the unfortunate man gained two eyes in the palm of his hand and an endless hatred for his killer. However, he didn't know what the criminals looked like, so he punished everyone continuously.
The pale figure signifies punishment for disobedience and weakness. The girl did not touch the mouth-watering food, while the pale girl sat motionless. However, once the girl relaxes and tastes the juicy grapes, the monster becomes lifelike, casts his eyes on the palm, and starts chasing Ophelia. This makes the heroine very interesting because the fairy who was eaten in the finale is still alive. According to another version, generally speaking, all events occur in the imagination of. However, this will not make the monster less afraid. If something happens only in your head, its importance will not decrease. If you die in the matrix, then you will die in the real world. The absence of people can cause misunderstandings, unnatural feelings and fears. Monsters don't necessarily need big fangs, claws and tentacles to wake up. He can wear elegant clothes while inspiring real horror. Slademan's appearance is extraordinary with long slender limbs and no face. No one knows how he killed the victim. None of the surviving witnesses saw the monster move or attack. He just looked at the victim silently and stood some distance from her. Then the unfortunate person disappeared without a trace.
This is not surprising, because human eyes cannot approach him. As described in the game "Slim: Eight Pages", attempts to examine creatures in detail ended in curiosity to death. You must always stand with your back to the monster-this is the worst thing. Wandering in the dark, knowing that there is a mysterious thing on your back, it is still interesting. An iconic horror game, especially thanks to its original storyline. Everything that happens is a symbolic expression of the psychological conflict of the protagonist James killing his wife. Unconsciously, he realized that he had committed a crime and deserved punishment. This feeling was reflected in the image of the pyramid head. This is why the monster has the powerful appearance of a hellman: a huge pyramid with no eye slits instead of a head and a huge sword.
Due to his wife's serious illness, James had to suppress sex for a long time. Therefore, the hero will catch the pyramid head many times at the moment of interacting with someone. So the monster wanted to remind James that it was Maria's desire for secrets that led to Mary's death.
The monster is so bright that the creators used it in other parts of the series and film adaptations. Unfortunately, at the same time, the pyramid head is no longer a sign, but a mysterious monster-without history and origin. The motive for punishment was replaced by crazy blind anger. But the monster has not become so scary. This cast iron pyramid is a bit unspeakably terrifying, which is beyond all psychological explanations. Thinkers of all time believe that the worst monster is people. We invent monsters ourselves, but how can creators put what is not in them into creation? Every monster is a mystery. Solving this puzzle, we learned some new knowledge about ourselves. Usually, this knowledge is not as pleasant as we hope. This centuryhas just begun, and it will surely bring us twelve kinds of extraordinary charms, seemingly beautiful, and outrageous creatures. The top will change, it doesn't matter who occupies which position. The person himself will always be in the highest position.
I think the nurse in the movie should also be at the top of the list. I don’t know if I can consider the American remake (2003)-but the Samara girl is also very distinctive. I don’t understand why Samara from the American clock is mentioned everywhere, but they forget the classic and scarier Sadako from the Japanese clock? Show more replies edit delete 0 This is a spam complaint nurse. Show more replies to edit deleted 0 This is a spam complaint Deleted Not terrible, not charming, just a bit disgusting..- nonsense.
Only their author is sick. Show more replies edit deleted 0 This is a spam complaint In this case, ten places are too few, because there are many interesting monsters in pop culture. I was once moved by the "Pain" game (Part 1), where each monster embodies a method of execution. Of course it is not a pyramid head. The game focuses more on action, which is not good for horror. But it left a certain residue. In the life and work of a science fiction writer, he believes that reason will definitely overcome fear and distrust. Here are ten items to watch: From the technical informer on certainty to the continuation of the vampire.
Gaiman considered a sequel for a reason-along with Pracht, they once managed to compose the second book!
People all over the world began to talk to friends less and less. The virus has been found to spread through words and phrases, causing madness. We must somehow adapt to the new form of life. The Guillotine - Worst Punishments in the History of Mankind